NEWS

 

Tempo huManu featured in "New Works, New Problems", at Pgh Filmmakers Galleries, till July 1st. 2012.

Apr 25th, 2012

 

2012 Flight School Fellowship recipient from PFPCA/Creative Capital.

Jan 18, 2012

 

New position as Sculpture Instructor at the Creative and Performing Arts High School, Pgh, PA.

August 29, 2011

 

CEO Symphony No.5, has been awarded a 2009/2010 Franklin Furnace Fund Grant

January 15th, 2010

 

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Rafael Abreu-Canedo

Rafael Abreu-Canedo: BIO

Born 1984, Brasil.

 

In 1994, my family immigrated to the US: where school teachers talked in a mysterious language. Not understanding them, I scribbled school-days away. As I began to learn English, haha… By then, too late: I had already mastered bubble-letters, and my caricatures were beginning to compel me. In my confusion, art found me instead. And so, I make the best of it.

As an artist, I follow in the wake of artists who, particularly since the seventies, have questioned the formalism of established languages, renewed an awareness of art’s political role (in a broad sense), and had their actions pervade the social space.

It’s far too academic for me to try to speak about or for the world. That’s too much noun and not enough verb. So through the use of sculpture, installation, performance, video and photography, I create encounters for viewers to experience, in a visceral way, the often elusive abstractions that shape our lives.

In this kind of existential approach, feelings are the only facts. Consequently, my most successful artworks tap into these "facts", through a seemingly ready-made network--or palimpsest--of personal/collective memories and mythologies, the residues of which are fossilized into materials and practices.

My body of work shifts across different media. But if I had to use one word to sum it all up, I would say "voice". Not only me having a voice, but through my artwork, giving voice to the elusive abstractions and systems that shape our lives. Whether that means inviting people to an event where everyone is hearing each other's actual heartbeats, simultaneously and in real-time as they socialize, or a large greek pillar, constantly wobbling, threatening to fall on those around it.

And even though it's tempting to speak about my body of work in terms of Arte Povera, Minimalism, Street Art, Brasilian Concretism and/or 70's performance art, experiencing it renders explanations, reproductions and even this website, mischievously superfluous.

Through an open-ended approach to art, I explore issues of language, behavior and identity, with focus on systems, the body and space. I've exhibited and taught throughout the US, having my first 2-person exhibition in 2001 at the age of 16. Since then, I have worked with organizations such as Oakland Unified School District, New York Department of Education, Pittsburgh Public Schools, Sprout Fund, Root Division, the New New Yorkers Program at the Queens Museum of Art, Pittsburgh Center for the Arts and Franklin Furnace, developing a commitment to communication through the arts; changing the future by working for a better today.

 

Rafael Abreu-Canedo: CV

Born 1984, Brasil.

 

 

Languages:English, Portuguese, Spanish, 2+ years of Japanese.

 

Education:San Francisco Art Institute, BFA New Genres, 12/07, 3.68 GPA

 

Awards and Honors:

2012-Flight School Fellowship: PFPCA/Creative Capital

2009/10-Franklin Furnace Fund Grant: Franklin Furnace

2008-Sprout Fund Seed Award: Sprout Fund

2008-Outstanding New Genres Student Honor: San Francisco Art Institute

2007-SFAI Project Grant: San Francisco Art Institute

2003-San Francisco Art Institute Merit Scolarship: San Francisco Art Institute

2002-Pittsburgh Center for the Arts Award: Pgh Center for the Arts

 

Selected Group Exhibitions:

2012-"New Works, New Problems", Pgh Filmmakers Galleries (Pittsburgh, PA)

2011-"Fault Line", The Urban Tree Forge (Pittsburgh, PA)

2010-Art Institute of Pittsburgh (Pittsburgh, PA)

2009-Conflux Festival 2009 (New York, NY)

2009-Synthetic Zero Art Space (Bronx, NY)

2008-"HotHouse 2008", Sprout Organization (Pittsburgh, PA)

2008-"Spring Show 2008", Diego Rivera Gallery (San Francisco, CA)

2008-"Sound Device", Root Division (San Francisco, CA)

2007-"One Day It Will All Make Sense", Edge Zones Gallery (Miami, FL)

2007-"Emission Theory", La Vie Gallery (Pittsburgh, PA)

2006-"Eye Plugs", Little Roxy Theater (San Francisco, CA)

2005-"Media Experiment", The RX Gallery (San Francisco, CA)

2003-Jadite Gallery (New York, NY)

2002-"Young Artists Show", GalleriE Chiz (Pittsburgh, PA)

2001-"All City Arts Showcase", Manchester Craftsman Guild (Pittsburgh, PA)

 

Teaching Experience:

2012-Point Park University, Pittsburgh, PA

Substitute Instructor. Art History (College Level)

2011-Creative and Performing Arts Highschool, Pittsburgh, PA

Head Instructor. Sculpture (9th-12th graders)

2011-Pittsbugh Public Schools SDA, Pittsburgh, PA

Head Instructor. Sound and Body (6th-8th graders)

2008/2009-PS 212, Bronx, NY

Head Instructor. Performing Culture: dance to communicate. (6th-8th graders)

2007-Queens Museum of Art, Queens, NY

Head Instructor. Body Language: performance and photography. (All Ages)

2007-San Francisco Art Institute, San Francisco, CA

Teacher's Assistant. Design + Technology. (College Level)

2005/2007-Calvin Simmons Middle School, Oakland, CA

Head Instructor. Performing Culture: dance to communicate. (6th-8th graders)

2001/2003-Kingsley Center, Pittsburgh, PA

Head Instructor. Dance. (All Ages)

 

Commodities Trading

Trends and power moves are bought and sold in real-time, shaping growths and recessions in seemingly unexpected, yet amazing ways.

Make Money, Money...

Childish and futile attempt at "success", exposes the abyss of a sinister vice.

They're All the Same

Others, generalized into marginality through the reductive language of identity.

Wobbly Pillar

The pillars of society.

Progress Cornerstone

Foundation and machine, both victims and oppressors in this lose-lose dynamic.

Faultline

Fault Line creates a complex relationship between differences, poised awkwardly between irony, violence and much more.

Push/Pull

Two entities, pulling toward the same direction, yet bound by opposing forces.

Nahsah

The weight of water absorbed by the thick cotton rope, lifts one brick. Once evaporated, the brick falls.

My Modernity es Tu Modernity

Exploring habitat systems through found materials, reflecting a precarious, and informal attempt at modernity.

Parking

Intervention into the public space, in order to facilitate alternative public spatial practices.

Heartbeats

Heart rates dance as they mingled, giving body to emotions and feelings often masked by body language. Revealing in some instances, things we'd rather ignore.

Tempo huManu

Time-lapse document of bodily spatial practice, in terms of hands, towers, orbiting galactic bodies, light and dark.

Art Process

As people interacted with the materials, the project transformed into different versions of itself.

Dialogue Series

Art as moment. Engaging with culture as observer and creator, simultaneously.

The Cross Between Us

Reconceptualizing the space between.

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